A few years back, I reviewed what I considered were the best and worst episodes of the original Star Trek. While I was writing those posts, I had started rewatching the 80’s version, Star Trek: The Next Generation. Now that I’m on the final season, I’ve decided to do a retrospective for this series as well (And DS9 fans, your day is coming. I’m in season 5 of that now.
When Action Comics hit 1000, I had to get a copy. But I had a problem–there was no comic book shop nearby. My nearest bookstore no longer existed. My solution? Downloaded it off the DC app.
Instead of posting one special story to celebrate this milestone, this issue actually has several stories, celebrating Superman and his legacy. I thought I’d review and rank all of them.
- “From the City That Has Everything” (Team: Dan Jurgens/Norm Rapmund/Hi-fi/Rob Leigh)–10/10
Summary: Superman fights off a Khund invader and reluctantly returns to Metropolis, where they are celebrating Superman Day. Lois wants him to hear everyone’s testimonies, but he’s too nervous about the invaders.
Review: I liked all the testimonies, including the reformed criminal. It set the tone for the rest of the comic.
- “Never-Ending Battle” (Peter J. Tomasi/Patrick Gleason/Alexandro Sanchez/Tom Napolitano)8/10
Summary: Superman battles Vandal Savage across space and time, reflecting on the life and battles he’s had so far while celebrating his birthday with his family.
Review: This may be one of the last stories Tomasi ever does for Superman, and if it is, then it’s a good farewell. Gleason’s artwork was great, but I’m deducting points for the Conner Kent cameo. Way to rub our faces in it, DC.
- “An Enemy Within” (Marv Wolfman/Curt Swan/Kurt Schaffenberger/Hi-fi/Rob Leigh) 9/10
Summary: While Superman fights one of Brainiac’s drones in Japan, a principal in Metropolis has been hypnotized into taking someone hostage. What Superman doesn’t realize is that the drone he’s fighting is what’s controlling the principal.
Review: This story was especially unearthed just for this issue, and is the only story that isn’t new. (For those who don’t know, Curt Swan was one of DC’s most-celebrated artists, and died in 1996) It even ends with a Curt Swan-esque drawing in tribute to him.
- “The Game” (Paul Levitz/Neal Adams/Hi-fi/Dave Sharpe)7/10
Summary: Superman and Luthor take time out from fighting each other to play a game of chess.
Review: This was a great scene and a classic-style story of worthy opponents with Lex at his hammiest. It seemed like something out of Superfriends, but I liked it.
- “The Car” (Geoff Johns & Richard Donner/Oliver Colpel/Sanchez/Napolitano)
Summary: You know that car that Superman is picking up on the very first cover of Action Comics? We meet the driver in this story. 8/10
Review: “Hey what about the car Superman picked up on the cover?” sounds like a good “high concept” story idea. And I like Geoff Johns a lot, even with the controversy that seems to follow him wherever he goes.
On April 17, 2018, Superman celebrated his 80th birthday! Not only that, but Action Comics, where he made his first appearance, just hit 1000 issues–the first time an American comic ever had that many issues!
Superman was vastly different in his first appearance. The only powers he had were superhuman strength, speed, and leaping–not flying. He worked at the Daily Star, not the Daily Planet. (the old-time radio show changed it and also added Perry White and Jimmy Olsen to the cast) He grew up in an orphanage instead of on a farm. He was more aggressive than he is these days.
These days, Superman is now married to Lois Lane, who once considered him a rival. But perhaps the biggest change is now he’s a father! As a result of the Convergence event, Superman’s son was born, named Jonathan Kent, after Superman’s earthly father.
#15. The Cart Before the Ponies
Writers: Ed Valentine and Michael Vogel
Storyboard: Patricia Ross and Megan Willis
Characters: Cutie Mark Crusaders, Cheerilee
Season: 6, ep. 14 Overall: 131
Summary: The Cutie Mark Crusaders enter the Ponyville Applewood Derby Race. They each ask Rainbow Dash, Applejack, and Rarity to help. Scootaloo wants the “Most Creative” trophy, Sweetie Belle wants “Most Traditional”, and Apple Bloom wants to win the “Fastest” award. However, each of the adults has her own idea.
For many Star Wars fans, The Empire Strikes Back is the definitive movie of the franchise. Although the franchise debuted in 1977, Star Wars really feels more like a byproduct of the 80’s than the 70’s. That’s how ahead of its time the original movie was. It not only secured the franchise as a permanent part of our culture, but also secured George Lucas’s place as a filmmaker. For better or worse, Star Wars defined him. Even when he tried to do a different movie later in the 80’s, Willow, it paled in comparison to Star Wars. Yes, he also helped make the Indiana Jones franchise. but that was a collaboration with Steven Spielberg. Star Wars was the more definitive movie.
Although I enjoy the series as a whole, Empire is not my favorite of the series. Which one is? You’ll find that out next time. That doesn’t mean I don’t like the movie, far from it. I just don’t enjoy it as much as everyone else does.
Well folks, here it is, the all-time greatest episode of Star Trek: The Original Series. This isn’t just my opinion, it’s also Roddenberry’s favorite, tied with “The Menagerie” (which was a re-working of the original pilot episode “The Cage”).
From the series’ inception, Star Trek actually had the support of elites in the sci-fi community. When “The Cage” was shown by NBC and Roddenberry to these people, Isaac Asimov himself was in attendance and personally congratulated Roddenberry. But he wasn’t the only elite that supported Roddenberry. He also had Harlan Ellison, who had a special story he wanted to write for the show.
Harlan Ellison was a sci-fi writer who wrote novellas, screenplays, and even scripts, and not just for Star Trek. In fact, when Twilight Zone was revived by CBS in the 80’s, Harlan Ellison was brought on as the show’s executive producer, and wrote many of the scripts. (By that time, Rod Serling had died.) He actually was not pleased with this episode, as he and Roddenberry had disagreements over how the script was supposed to be written. These disagreements soured his relationship with Roddenberry, which is why this is the only story he ever wrote for the series.
The story begins with McCoy treating a comatose patient, and injects him with cordazine. The drug has the potential to cause insanity, but the patient does not appear to be affected. However, when the Enterprise is rocked by a galactic distortion, he accidentally injects himself with too much of the drug, causing him to become paranoid. Driven by his paranoia, he beams down to the planet’s surface, with Kirk and Spock chasing after him. When they arrive, they discover a “time tunnel” (no relation to the short-lived TV series), which is causing the distortions. McCoy runs through the tunnel, and moments later, Kirk discovers that the Enterprise no longer exists. In fact, neither does Starfleet itself!
When Nicholas Meyer signed on to direct Star Trek II, he actually had little knowledge of what he wanted. To prepare, he watched several episodes, including this one. In fact, if someone had never watched Star Trek, this is an episode I would show.
The story begins when the Enterprise finds the starship Botany Bay. They board the ship with historian Lt. Marla McGivens accompanying them. When they beam onto the ship, they discover there are inhabitants in suspended animation. These are the notorious Khan Noonian Singh and his followers.
Everyone is intrigued with the idea of reviving Khan and his followers, despite their reputation. I like how Spock is bewildered that Khan is actually revered despite his tyranny. This is realistic. There are many notorious people who are still admired to this day.