The Phantom Menace, despite what people said about it, actually did well at the box office. This is why I say Star Wars can do no wrong. They can make a movie that is almost universally considered one of the worst movies ever, and it can still make great returns.
In the original trilogy, Empire Strikes Back was darker than A New Hope. Temple of Doom is the darkest of the Indiana Jones movies. That pattern continues here as well. And it seems George Lucas learned from his mistakes in The Phantom Menace. I could see why he wanted total control over these movies. Even though his name was still associated with the original trilogy, Lucas had people that would tell him if his ideas didn’t work. Here, he doesn’t have to worry about that. I’m not saying that’s a good thing, but I’m saying I can see his reasoning.
One thing I like about this movie is that Jar Jar Binks is barely in it. He’s not the overbearing klutz he is in the previous movie He still makes mistakes, but it’s more frightening because Emperor Palpatine doesn’t even have to use Jedi mind control to coerce him. In fact, a lot of the deception that Palpatine weaves is done through his own charisma, not mind control. That’s why he’s such a great villain. He knows when to use his powers and when not to.
I like that the relationship between Obi-Wan and Anakin has matured to the point where they’re now trading witty banter. I especially love the scene where Kenobi laments to Anakin “Why do I have the feeling you’ll be the death of me?”
Continue reading “40 Years of Star Wars: Attack of the Clones”
The prequels are often considered the worst part of the Star Wars saga. In fact, many fans would like to pretend they don’t exist. As I said in my review of Harry Potter and the Cursed Child, fans don’t get to decide what’s canon. The films exist and it’s time someone said something positive about them.
Let’s get the negatives out of the way because they’ve been said to death. Was Jar Jar Binks annoying? Yes. Was Jake Lloyd bad? Yes, but so was everyone who treated him so badly afterward. Hate the film, that’s fine. but don’t tear down a kid like that in the process. Were the midichlorians a bad explanation of The Force? Yes, actually I would’ve preferred no explanation at all. The Force is magic, and magic isn’t cool once you explain how it works. It ceases to be magic at all.
Continue reading “Film Freak: Star Wars 40th Anniversary: The Phantom Menace”
Back when JK Rowling was originally writing Harry Potter, there were often gaps between books because the books got longer with each volume. During one of these gaps, she wrote two books that supposedly could be found in Hogwarts’ s library: Fantastic Beasts and Where to Find Them (writing as Newt Scamander) and Quidditch Through the Ages (writing as Kennilworthy Whisp) Although I wondered what these two “writers” were like, I never thought they’d be a subject of a movie. But here we are, with a new set of prequels for the movies. The movies were a mixed bag as adaptations go, but how would these people fare with an original script?
Some might even wonder why Rowling has gone back to the Harry Potter universe again. My theory is that it’s because The Casual Vacancy, her attempt an adult novel, bombed. So why not use something that actually did make money to pay the bills? And unlike the more hipster-ish fans out there, I don’t think it’s bad that she’s making money again. However, I was among the many that didn’t like Cursed Child. So what about this?
Continue reading “Film Freak: Fantastic Beasts and Where to Find Them”
Return of the Jedi was meant to be the end of an era. For the most stubborn of the Star Wars fans, it is the end, as some want to pretend the prequels never happened. It is the conclusion to Luke’s journey and the closing of an epic tale.
This is my favorite movie in the entire saga, yes, including the prequels. While I admire the risk taken by revealing that Darth Vader is in fact Anakin Skywaler, to me Jedi is better because it is the next step. Having a big reveal is one thing. What is an even bigger risk is going forward with that reveal and letting it alter the course of the story.
There are drastic changes as a result of the story. Lando Carlrissian, a former friend of Han Solo, has now joined the Rebellion. Apparently in the time between Jedi and Empire, Lando wanted to make amends for sacrificing Solo for the sake of allowing Cloud City to remain neutral. Seeing his friend encased in carbonite causes him to realize he cannot sit idly by and hope that someday the Empire will be overthrown. He spent the last half of the movie helping Leia to escape Cloud City. He takes the next step in his atonement and joins the rebellion.
Han Solo is no longer neutral either. There were hints early on that Solo wanted to join the rebellion like the rest of the heroes. However, he couldn’t as long as Jabba the Hutt was alive and threatening his life. He’d be endangering his friends because every bounty hunter would be gunning for him. But when Leia murders Jabba, that threat is lifted and now Solo can be the hero he was meant to be.
Yoda is now close to death when Luke meets him once more. The once courageous and eccentric mentor is now no longer needed and he faces death with dignity, as Obi-Wan Kenobi did before him. But before he passes away, he tells Luke the truth. Obi-Wan explains that they did not keep the truth from Luke because they felt he could not handle it, but because they didn’t want him to make the same mistake Anakin did. Even if he is doing a good thing by confronting Vader, if he lets his emotions cloud his judgement, it will be all the more easier for the Emperor to manipulate him. And he almost succeeds.
Continue reading “Celebrating 40 Years of Star Wars: Return of the Jedi”
I’m a lover of animation and surrealism, and I learned of one of the best examples of both from a friend, Fantastic Planet. (or as it’s titled in its original language, La Planéte Sauvage, literally “The Wild Planet) It was released in 1973 and is based on the is based on the 1957 novel Oms en série by Stefan Wul.
The animation is reminiscent of the kind used in Monty Python’s Flying Circus. It’s nice to look at. There is some nudity here and there, so I wouldn’t recommend it for children. Plus, it’s pretty disturbing.
The story takes place on an alien world. The opening scene right away shows us how nightmarish this world is. A woman is seen running and carrying her baby. She is stopped by giant blue hands. One picks her up and she drops the child. She is dropped to her death, and then we meet the aliens, the Draags. These are blue-skinned aliens who live in prosperity. The humans–which they call Oms–have it worse. They are kept as pets and some of the Draags regard them as vermin. They look at the humans like a scientist would look at a mouse. A curiosity for experiment and entertainment for children, but not much else.
Continue reading “Film Freak: Fantastic Planet”
For many Star Wars fans, The Empire Strikes Back is the definitive movie of the franchise. Although the franchise debuted in 1977, Star Wars really feels more like a byproduct of the 80’s than the 70’s. That’s how ahead of its time the original movie was. It not only secured the franchise as a permanent part of our culture, but also secured George Lucas’s place as a filmmaker. For better or worse, Star Wars defined him. Even when he tried to do a different movie later in the 80’s, Willow, it paled in comparison to Star Wars. Yes, he also helped make the Indiana Jones franchise. but that was a collaboration with Steven Spielberg. Star Wars was the more definitive movie.
Although I enjoy the series as a whole, Empire is not my favorite of the series. Which one is? You’ll find that out next time. That doesn’t mean I don’t like the movie, far from it. I just don’t enjoy it as much as everyone else does.
Continue reading “Celebrating 40 Years of Star Wars: Empire Strikes Back”
This year marks the 40th anniversary of the Star Wars franchise. It’s been through a lot of changes, some good and bad. I’ve decided to look at both the original and the Disney versions as a way of showing how much it’s changed, and whether or not the Disney version is good or not. Let’s start where it all began.
George Lucas has been getting a lot of flack since the prequels. Frankly, I think it needs to be toned down. The man was a genius, even if all his ideas didn’t pan out. To me, Star Wars was at its best when it wasn’t the top of the mountain that it is today. That might be its biggest problem: it can’t die no matter what happens.
It’s hard to believe, but Lucas had a lot of trouble getting A New Hope off the ground. His first movie, THX 1138, was a huge flop. (To be honest, I’ve never even seen it.) But one thing helped immensely: American Graffiti. American Graffiti was an unexpected hit. It resonated with audiences both young and old and presented an America people missed. It was a new hope for an America that was still dealing with the aftermath of the Vietnam War. Lucas was good friends with Francis Ford Coppola, who at the time was making Apocalypse Now, the epic commentary on the Vietnam War inspired by Joseph Conrad’s “Heart of Darkness”. He actually wanted Lucas to help out, and Lucas was interested, but he still had visions to turn The Star Wars (which was the working title for A New Hope) into something great. And the popularity of American Graffiti was enough to encourage him to take this chance. But Lucas was also nervous. Star Wars was expensive to make. He needed to film it outside of America for the Tatooine scenes (which were filmed in Tunisia). That, and the effects seemed like they might stop the film from making even enough money to recover from the cost of making the film itself. Lucas was even concerned that he had borrowed too much from Akira Kurosawa’s film The Hidden Fortress and even wanted to buy the rights to it just in case he should ever be accused of plagiarizing it. Eventually, he realized there was no need. It was a homage, not a remake.
Continue reading “Celebrating 40 Years of Star Wars: A New Hope”