Summary: A Jedi named Tajin and his padowan Dan arrive on an isolated planet in the Outer Rim. While Dan befriends a group of children, Tajin learns of a Sith who is extremely old and is out for blood.
Review: I thought this was a good alternate take on the relationship between Qui-Gon Jinn and Obi-Wan in Phantom Menace. Dan was calmer and kinder than Obi-Wan. I loved his scenes with the village children.
The fight between Tajin and The Elder was well-animated. The Elder isn’t just a threat because he wants revenge, but because he has nothing to lose. His anger is the only thing he has left. And that’s what makes him so dangerous.
This story didn’t have a lot to it, but it was good.
Summary: Using Sith alchemy, two Force-sensitive twins named Karre and Am are created and trained in the Dark Side. But Karre actually wants to use his powers for good, unlike his sister.
Review: I really wanted to rate this higher. On paper, it sounds like a winner. The animation is nice. And even though it has only a half-hour, it tells the story well.
So what brought this down, besides so many other shorts being better? To be honest, the dub. The American version is so cheesily dubbed, I can’t take the story seriously. I wanted to just ignore that, but I couldn’t.
Summary: A rock band called Star Waver is being targeted by Boba Fett because their bassist, Gee, doesn’t want to participate in the Hutt criminal empire.
Review: This was the short that felt the least like Star Wars to me. Now not being 100% like Star Wars isn’t bad, in fact, quite a few of the higher-up shorts didn’t seem “like Star Wars” .
My main problem is this style. I’m not a fan of chibi animation, and hearing the adult voice for Boba Fett seemed wrong. If it had been the voice actor for his younger version, Daniel Logan, I might have not had a problem.
That being said, I did like the band. I especially liked the drummer being a conjoined triplet. It had a more light-hearted feel, but I didn’t mind that.
Overall, I didn’t hate this one. It was different, which isn’t always bad.
Last year, I celebrated the 40th anniversary of the first Star Wars movie by reviewing all the movies that had been released up to that point, stopping at The Force Awakens. For those who were wondering why I didn’t review The Last Jedi, it was because I didn’t think I’d see it in time to include it in my recap. I have no theater nearby, and they cost a LOT these days anyway.
So, was it worth waiting longer than most people to see what happens after that great cliffhanger of Rey finding Luke and giving him his light saber? Yes! In fact, I’ll say this right now: The Last Jedi is the best Disney Star Wars movie so far. It’s the best movie since the prequels. Ignore every hater.
When Disney acquired Star Wars from George Lucas, they decided to release one movie each year at Christmas. This started with Episode 7, The Force Awakens. In addition to the main movies (the “episodes”), we would also get movies that touch up more on the mythos of the franchise. Rogue One was just the first of these. Because it is the most recent Star Wars movie released, I have chosen it to end my retrospective. I don’t think I’ll be able to see The Last Jedi before the end of the year, so I will wait for the DVD.
Rogue One takes place before the very first Star Wars movie and follows a team of rebels attempting to retrieve the plans for the first Death Star (because Return of the Jedi has a Death Star too).
When I heard that a new company had taken over Star Wars from George Lucas, I had mixed feelings. He was 100% involved with the prequels, and while I liked them, I still came to the same conclusion that most people did: less is more. When he did the originals, he had other people telling him what they thought worked, which was part of the reason he wanted 100% involvement in the prequels. He felt we weren’t getting his full vision. But now, Disney would have very little of Lucas, even less than the originals did.
Then I found out JJ Abrahms was directing. I was still wary. You see, I do like what Abrahms did with Star Trek, but my main problem with his version is that he doesn’t want the movies to be their own thing. He kept relying on Nimoy to come in and play future Spock, instead of creating his own thing. JJ Abrahms is a great producer, but he’s much better when he’s playing with his own toys, like in Lost, Cloverfield, or Super 8. (I never watched Alias, by the way) So I wasn’t sure. But I decided to do what I always do, give the new guy a chance.
Now we come to the only prequel that seems to receive positive opinions. I’ve even heard people say you should just skip Phantom Menace and Attack of the Clones and just watch this one. I disagree. Both movies do set this movie up, and let’s not forget the original trilogy wasn’t perfect.
If the original trilogy can be called an outer space version of Campbell’s famous “Hero’s Journey”, then the prequels can be its polar opposite: “The Shadow’s Journey”. The Hero’s Journey is a quest for glory. The Shadow’s Journey is a journey not to glory, but to darkness.
Anakin and Obi-Wan’s relationship has taken a turn for the worse. His romance with Padme is far from secret, and now he has a child on the way. But dark visions plague him–he sees again and again that his wife will die during childbirth. Anakin has never really gotten over the death of his mother, and still wants to find a way to stop people from dying, as he had promised in the previous movie. And now Palpatine is offering him a chance to fulfill that promise.
The Phantom Menace, despite what people said about it, actually did well at the box office. This is why I say Star Wars can do no wrong. They can make a movie that is almost universally considered one of the worst movies ever, and it can still make great returns.
In the original trilogy, Empire Strikes Back was darker than A New Hope. Temple of Doom is the darkest of the Indiana Jones movies. That pattern continues here as well. And it seems George Lucas learned from his mistakes in The Phantom Menace. I could see why he wanted total control over these movies. Even though his name was still associated with the original trilogy, Lucas had people that would tell him if his ideas didn’t work. Here, he doesn’t have to worry about that. I’m not saying that’s a good thing, but I’m saying I can see his reasoning.
One thing I like about this movie is that Jar Jar Binks is barely in it. He’s not the overbearing klutz he is in the previous movie He still makes mistakes, but it’s more frightening because Emperor Palpatine doesn’t even have to use Jedi mind control to coerce him. In fact, a lot of the deception that Palpatine weaves is done through his own charisma, not mind control. That’s why he’s such a great villain. He knows when to use his powers and when not to.
I like that the relationship between Obi-Wan and Anakin has matured to the point where they’re now trading witty banter. I especially love the scene where Kenobi laments to Anakin “Why do I have the feeling you’ll be the death of me?”
The prequels are often considered the worst part of the Star Wars saga. In fact, many fans would like to pretend they don’t exist. As I said in my review of Harry Potter and the Cursed Child, fans don’t get to decide what’s canon. The films exist and it’s time someone said something positive about them.
Let’s get the negatives out of the way because they’ve been said to death. Was Jar Jar Binks annoying? Yes. Was Jake Lloyd bad? Yes, but so was everyone who treated him so badly afterward. Hate the film, that’s fine. but don’t tear down a kid like that in the process. Were the midichlorians a bad explanation of The Force? Yes, actually I would’ve preferred no explanation at all. The Force is magic, and magic isn’t cool once you explain how it works. It ceases to be magic at all.
Not only did Star Wars change how movies were made, but also how they are marketed. Remember that while VCR’s and Cable TV were around in the 1970’s, it would be quite some years before either became as prominent as they would in the 80’s and 90’s. In fact, Hollywood was completely against cable television and ran ads in movie theatres (and ironically enough, on TV) telling people how bad an idea Cable Television was. They were worried that more channels meant that cinemas would receive less money from people. Toy makers saw little value in making toys based on movies. They didn’t have the staying power as TV shows or comics, once the movie was gone from theatre, it was believed the toys would not sell anymore.
George Lucas wanted to change that. He had to, because he’d spent so much money on A New Hope’s effects that he had to find some way to compensate. He did it with licensing. And not just toys, but later, comic books, tie-in novels–all kinds of stuff. It was, as the Star Wars parody Spaceballs famously put it, “Where the real money from the movie [was] made!” In fact, Kenner was the first toy company to even take the risk. I had some of these. I had the Emperor’s Guards (who started working for Skeletor after I got them because I figured “well, they had to get work somehow”), some Stormtroopers, and of course Luke Skywalker, Yoda, and even Wicket. (Yes, I liked the Ewoks, so what?)